HOW TO BUILD A 100-DIMENSIONAL UNIVERSE

NOTE: I cannot answer in mathematical terms, but I can venture a physical and philosophical answer. The fifth dimension involves extension into and beyond 4-d. Thus, it involves not just the possibility, but the guarantee of two time dimensions. A general way to extend dimensions is to think first of possibility, and then in the next dimension as reality.

For example,

1-d sometimes exists.

2-d is virtual but always exists.

3-d exists and is never virtual and is not fully aware of time.

4-d exists and is never virtual and controls time.

5-d exists and is never virtual and controls time and potentially has two fundamental types of matter.

6-d exists and is never virtual and controls time and always has two fundamental types of matter.

7-d exists and is never virtual and controls time and always has two fundamental types of matter, and potentially has two concepts of time.

8-d exists and is never virtual and controls time and always has two fundamental  types of matter, and always has two concepts of time, and potentially has some other thing.

9-d exists and is never virtual and controls time and always has two fundamental types of matter, and always has two concepts of time, and always has some other thing.

10-d exists and is never virtual and controls time and potentially has three concepts of matter, and always has two concepts of time, and always has some other thing.

11-d exists and is never virtual and controls time and always has three concepts of matter, and always has two concepts of time, and always has some other thing.

12-d exists, and is never virtual and controls time and always has three concepts of matter, and sometimes has three concepts of time, and always has some other thing.

13-d exists, and is never virtual, and controls time, and always has three concepts of matter, and always has three concepts of time, and always has some other thing.

14-d exists, and is never virtual, and controls time, and always has three concepts of matter, and always has three concepts of time, and sometimes has two other things.

15-d exists, and is never virtual, and controls time, and always has three concepts of matter, and always has three concepts of time, and always has two other things.

16-d might not exist, or is partly virtual, or partly chaotic, and always has three concepts of matter, and always has three concepts of time, and always has two other things.

17-d doesn't exist, or is virtual, or is chaotic, and always has three concepts of matter, and always has three concepts of time, and always has two other things.

18-d doesn't exist, or is virtual, or is chaotic, and always has three concepts of matter, and always has three concepts of time, and sometimes has three other things.

19-d doesn't exist, or is virtual, or is chaotic, and always has three concepts of matter, and always has three concepts of time, and always has three other things.

20-d doesn't exist, or is virtual, or is chaotic, and always has three concepts of matter, and always has three concepts of time, and always has three other things, and sometimes has an additional power.

21-d doesn't exist, or is virtual, or is chaotic, and always has three concepts of matter, and always has three concepts of time, and always has three other things, and always has an additional power.

22-d doesn't exist, or is virtual, or is chaotic, and sometimes has four concepts of matter, and always has three concepts of time, and always has three other things, and always has an additional power.

23-d doesn't exist, or is virtual, or is chaotic, and always has four concepts of matter, and always has three concepts of time, and always has three other things, and always has an additional power.

24-d doesn't exist, or is virtual, or is chaotic, and always has four concepts of matter, and sometimes has four concepts of time, and always has three other things, and always has an additional power.

25-d doesn't exist, or is virtual, or is chaotic, and always has four concepts of matter, and always has four concepts of time, and always has three other things, and always has an additional power.

26-d doesn't exist, or is virtual, or is chaotic, and always has four concepts of matter, and always has four concepts of time, and sometimes has four other things, and always has an additional power.

27-d doesn't exist, or is virtual, or is chaotic, and always has four concepts of matter, and always has four concepts of time, and always has four other things, and always has an additional power.

28-d doesn't exist, or is virtual, or is chaotic, and always has four concepts of matter, and always has four concepts of time, and always has four other things, and sometimes has two additional powers.

29-d doesn't exist, or is virtual, or is chaotic, and always has four concepts of matter, and always has four concepts of time, and always has four other things, and always has two additional powers.

30-d is an illusion, or composite, or mind, and always has four concepts of matter, and always has four concepts of time, and always has four other things, and always has two additional powers.

31-d is an illusion, or composite, or mind, and sometimes has five concepts of matter, and always has four concepts of time, and always has four other things, and always has two additional powers.

32-d is an illusion, or composite, or mind, and always has five concepts of matter, and always has four concepts of time, and always has four other things, and always has two additional powers.

33-d is an illusion, or composite, or mind, and always has five concepts of matter, and sometimes has five concepts of time, and always has four other things, and always has two additional powers.

34-d is an illusion, or composite, or mind, and always has five concepts of matter, and always has five concepts of time, and sometimes has five other things, and always has two additional powers.

35-d is an illusion, or composite, or mind, and always has five concepts of matter, and always has five concepts of time, and always has five other things, and always has two additional powers.

36-d is an illusion, or composite, or mind, and always has five concepts of matter, and always has five concepts of time, and always has five other things, and sometimes has three additional powers.

37-d is an illusion, or composite, or mind, and always has five concepts of matter. and always has five concepts of time, and always has five other things, and always has three additional powers.

38-d is an illusion, or composite, or mind, and sometimes has six concepts of matter. and always has five concepts of time, and always has five other things, and always has three additional powers.

39-d is an illusion, or composite, or mind, and always has six concepts of matter, and always has five concepts of time, and always has five other things, and always has three additional powers.

40-d is an illusion, or composite, or mind, and always has six concepts of matter, and sometimes has six concepts of time, and always has five other things, and always has three additional powers.

41-d is an illusion, or composite, or mind, and always has six concepts of matter, and always has six concepts of time, and always has five other things, and always has three additional powers.

42-d is an illusion, or composite, or mind, and always has six concepts of matter, and always has six concepts of time, and sometimes has six other things, and always has three additional powers.

43-d is an illusion, or composite, or mind, and always has six concepts of matter, and always has six concepts of time, and always has six other things, and always has three additional powers.

44-d is an illusion, or composite, or mind, and always has six concepts of matter, and always has six concepts of time, and always has six other things, and sometimes has four additional powers.

45-d is an illusion, or composite, or mind, and always has six concepts of matter, and always has six concepts of time, and always has six other things, and always has four additional powers.

46-d is relative, and broken, and magical, and always has six concepts of matter, and always has six concepts of time, and always has six other things, and always has four additional powers.

47-d is absolute, and undifferentiated, and universal, and always has six concepts of matter, and always has six concepts of time, and always has six other things, and always has four additional powers.

48-d is absolute, and undifferentiated, and universal, and sometimes has seven concepts of matter, and always has six concepts of time, and always has six other things, and always has four additional powers.

49-d is absolute, and undifferentiated, and universal, and always has seven concepts of matter, and always has six concepts of time, and always has six other things, and always has four additional powers.

50-d is absolute, and undifferentiated, and universal, and always has seven concepts of matter, and sometimes has seven concepts of time, and always has six other things, and always has four additional powers.

51-d is absolute, and undifferentiated, and universal, and always has seven concepts of matter, and always has seven concepts of time, and always has six other things, and always has four additional powers.

52-d is absolute, and undifferentiated, and universal, and always has seven concepts of matter, and always has seven concepts of time, and sometimes has seven other things, and always has four additional powers.

53-d is absolute, and undifferentiated, and universal, and always has seven concepts of matter, and always has seven concepts of time, and always has seven other things, and always has four additional powers.

54-d is absolute, and undifferentiated, and universal, and always has seven concepts of matter, and always has seven concepts of time, and always has seven other things, and sometimes has five additional powers.

55-d is absolute, and undifferentiated, and universal, and always has seven concepts of matter, and always has seven concepts of time, and always has seven other things, and always has five additional powers.

56-d is absolute, and undifferentiated, and universal, and sometimes has eight concepts of matter, and always has seven concepts of time, and always has seven other things, and always has five additional powers.

57-d is absolute, and undifferentiated, and universal, and always has eight concepts of matter, and always has seven concepts of time, and always has seven other things, and always has five additional powers.

58-d is absolute, and undifferentiated, and universal, and always has eight concepts of matter, and sometimes has eight concepts of time, and always has seven other things, and always has five additional powers.

59-d is absolute, and undifferentiated, and universal, and always has eight concepts of matter, and always has eight concepts of time, and always has seven other things, and always has five additional powers.

60-d is absolute, and undifferentiated, and universal, and always has eight concepts of matter, and always has eight concepts of time, and sometimes has eight other things, and always has five additional powers.

61-d is absolute, and undifferentiated, and universal, and always has eight concepts of matter, and always has eight concepts of time, and always has eight other things, and always has five additional powers.

62-d is absolute, and undifferentiated, and universal, and always has eight concepts of matter, and always has eight concepts of time, and always has eight other things, and sometimes has six additional powers.

62-d is absolute, and undifferentiated, and universal, and always has eight concepts of matter, and always has eight concepts of time and always has eight other things, and always has six additional powers.

63-d is impermanent or finite or fatal, and always has eight concepts of matter, and always has eight concepts of time, and always has eight other things, and always has six additional powers.

64-d is permanent, infinite, and eternal, and always has eight concepts of matter, and always has eight concepts of time, and always has eight other things, and always has six additional powers.

65-d is permanent, infinite, and eternal, and sometimes has nine concepts of matter, and always has eight concepts of time, and always has eight other things, and always has six additional powers.

66-d is permanent, infinite, and eternal, and always has nine concepts of matter, and always has eight concepts of time, and always has eight other things, and always has six additional powers.

67-d is permanent, infinite, and eternal, and always has nine concepts of matter. and sometimes has nine concepts of time, and always has eight other things, and always has six additional powers.

68-d is permanent, infinite, and eternal, and always has nine concepts of matter, and always has nine concepts of time, and always has eight other things, and always has six additional powers.

69-d is permanent, infinite, and eternal, and always has nine concepts of matter, and always has nine concepts of time, and sometimes has nine other things, and always has six additional powers.

70-d is permanent, infinite, and eternal, and always has nine concepts of matter, and always has nine concepts of time, and always has nine other things, and always has six additional powers.

71-d is permanent, infinite, and eternal, and always has nine concepts of matter, and always has nine concepts of time, and always has nine other things, and sometimes has seven additional powers.

72-d is permanent, infinite, and eternal, and always has nine concepts of matter, and always has nine concepts of time, and always has nine other things, and always has seven additional powers.

73-d is permanent, infinite, and eternal, and sometimes has ten concepts of matter, and always has nine concepts of time, and always has nine other things, and always has seven additional powers.

74-d is permanent, infinite, and eternal, and always has ten concepts of matter, and always has nine concepts of time, and always has nine other things, and always has seven additional powers.

75-d is permanent, infinite, and eternal, and always has ten concepts of matter, and sometimes has ten concepts of time, and always has nine other things, and always has seven additional powers.

76-d is permanent, infinite, and eternal, and always has ten concepts of matter, and always has ten concepts of time, and always has nine other things, and always has seven additional powers.

77-d is permanent, infinite, and eternal, and always has ten concepts of matter, and always has ten concepts of time, and sometimes has ten other things, and always has seven additional powers.

78-d is permanent, infinite, and eternal, and always has ten concepts of matter, and always has ten concepts of time, and always has ten other things, and always has seven additional powers.

79-d is permanent, infinite, and eternal, and always has ten concepts of matter, and always has ten concepts of time, and always has ten other things, and sometimes has eight additional powers.

80-d is permanent, infinite, and eternal, and always has ten concepts of matter, and always has ten concepts of time and always has ten other things, and always has eight additional powers.

81-d is destruction, art, and purpose, and always has ten concepts of matter, and always has ten concepts of time, and always has ten other things, and always has eight additional powers.

82-d is time, jest, and transformation, and always has ten concepts of matter, and always has ten concepts of time, and always has ten other things, and always has eight additional powers.

83-d is time, jest, and transformation, and sometimes has eleven concepts of matter, and always has ten concepts of time, and always has ten other things, and always has eight additional powers.

84-d is time, jest, and transformation, and always has eleven concepts of matter, and always has ten concepts of time, and always has ten other things, and always has eight additional powers.

85-d is time, jest, and transformation, and always has eleven concepts of matter, and sometimes has eleven concepts of time, and always has ten other things, and always has eight additional powers.

86-d is time, jest, and transformation, and always has eleven concepts of matter, and always has eleven concepts of time, and always has ten other things, and always has eight additional powers.

87-d is time, jest, and transformation, and always has eleven concepts of matter, and always has eleven concepts of time, and sometimes has eleven other things, and always has eight additional powers.

88-d is time, jest, and transformation, and always has eleven concepts of matter, and always has eleven concepts of time, and always has eleven other things, and always has eight additional powers.

89-d is time, jest, and transformation, and always has eleven concepts of matter, and always has eleven concepts of time, and always has eleven other things, and sometimes has nine additional powers.

90-d is time, jest, and transformation, and always has eleven concepts of matter, and always has eleven concepts of time, and always has eleven other things, and always has nine additional powers.

91-d is time, jest, and transformation, and sometimes has twelve concepts of matter, and always has eleven concepts of time, and always has eleven other things, and always has nine additional powers.

92-d is time, jest, and transformation, and always has twelve concepts of matter, and always has eleven concepts of time, and always has eleven other things, and always has nine additional powers.

93-d is time, jest, and transformation, and always has twelve concepts of matter, and sometimes has twelve concepts of time, and always has eleven other things, and always has nine additional powers.

94-d is time, jest, and transformation, and always has twelve concepts of matter, and always has twelve concepts of time, and sometimes has twelve other things, and always has nine additional powers.

95-d is time, jest, and transformation, and always has twelve concepts of matter, and always has twelve concepts of time, and always has twelve other things, and always has nine additional powers.

96-d is time, jest, and transformation, and always has twelve concepts of matter, and always has twelve concepts of time, and always has twelve other things, and sometimes has ten additional powers.

97-d is time, jest, and transformation, and always has twelve concepts of matter, and always has twelve concepts of time, and always has twelve other things, and always has ten additional powers

98-d is time, jest, and transformation, and sometimes has thirteen concepts of matter, and always has twelve concepts of time, and always has twelve other things, and always has ten additional powers.

99-d is time, jest, and transformation, and always has thirteen concepts of matter, and always has twelve concepts of time, and always has twelve other things, and always has ten additional powers.

100-d is time, jest, and transformation, and always has thirteen concepts of matter, and sometimes has thirteen concepts of time, and always has twelve other things, and always has ten additional powers.


Etc.


AFTERWORD
It is possible to conceive of other typological systems, however, in which these typological dimensions are not reached, or in which one characteristic, such as material complexity, time complexity, or sheer complexity develops quickly while other characteristics do not.
My conclusion for the fifth dimension based on the study of characteristic dimensions is that it objectively involves the most advanced conceivable concept of five properties (one for each dimension): (1) nature, (2) materials, (3) structure, (4) properties / culture, and (5) evolution. These are sort of the Qubits of 5-d space. And it can be added that 5-d may be a different spatial or metaphysical dimension, with the assumption that simpler experiences are analogous to Flatland, and that more advanced experiences can be approximated.



The above is also available as an academic article HERE: https://www.academia.edu/22558908/How_to_Build_a_100-Dimensional_Universe

TWO INTERPRETATIONS OF REASON

I don't know if it's worth winter so i don't know if it's worth a coca cola

I CROSSED THAT WAY AND THIS WAY UNTIL I MET A MAN

AcademicRoom (as opposed to Academia.edu) is not functioning today. So, to vent my frustration I am posting my recent paper here instead.

TWO INTERPRETATIONS OF REASON

I will begin with a description of what I mean by the development of reason. In this process, I will develop four categories, and relate how the descriptions imply two interpretations: one forwards, and another backwards. I will then explain the apparent paradox involved in this reason, and finally suggest a general method used in arriving at this useful double-comparison.

(1) Deux Interpretationes

What we know as reason is potentially just one stage of reason. I arrived at this idea by considering the question of: ‘What measures reason?’ And I thought, from a coherent perspective, the only thing that could measure reason was something outside of reason. And there could be nothing outside of reason except madness. But this raised a further question of ‘What is outside of madness?’And I thought this too could be solvable. The most obvious answer I could find was ‘Sanity’. Thus far three categories. Now, to round it out I attempted to add a fourth, responding to madness just as sanity responded to reason. And my answer for the fourth category was ‘Creativity’.

In this way, creativity became the ultimate bound of madness, just as sanity became the ultimate bound of reason.

The Four Categories are:

(1) Reason
(2) Madness
(3) Sanity
(4) Creativity

Now, developmentally, there are two interpretations (‘Deux Interpretationes’). One is that reason progresses into creativity. The other is the reverse: that creativity develops into reason. The distinction is important, because the difference developmentally seems to imply a priority for one or the other concept, or a reliance on either sanity or madness as a secondary runner-up concept.

So, now we have a second interpretation:

(1) Creativity
(2) Sanity
(3) Madness
(4) Reason

The second interpretation seems to put the emphasis on reason, but begins with creativity. The first interpretation puts the emphasis on creativity, but begins with reason.


(2) Paradox

Now, it may be further noted that reason appears to express the ‘ultimate’ embodiment of this set of data. In other words, all of the types are in some sense attempts at reason. Or, at least, reason is the simplest definition to use in place of any of the four, interpreted as I have interpreted them as translations of reason originally. However, in a similar way, creativity may be called an ‘empirical’ embodiment of the set of data.

Therefore, there is a conflict between the ultimate and the empirical, which amounts to a paradox. For, although the two concepts appear similar, the context places them separately as opposite alternatives. The choice appears to be between the two, even though they are the same.

If we are to prefer the empirical, we are left with creativity and abstract reason. If we choose the ultimate, we are left with nominalism, and end up groping for creativity to solve its significance.


(3) A General Method Derived from the Investigation

What may be called the ING Method may be derived most simply from the consideration of a set which reverses order, in which a double-horned dilemma emerges. The solution is always a choice between ultimates, and the ultimates are further made ambiguous by the ambiguous size of the set. Thus, there is a kind of criss-crossing between degrees of each extreme, and its relation to the central interpretation (a paradox).

ING may stand for ‘Inverse Negative Grouping’.

I'm now a Top Writer in Wormholes on Quora!

https://www.quora.com/topic/Wormholes/writers

My earnings as an author...

2012

$16.16

2013

$43

2014

$269.99, some of it unpaid in that year ($85.27 subtracted out because it was not earned yet).

2015

$254.66 earned by Oct. 21st.

Total:

Almost $500.

(But note also that I'm trying to dig myself out of the money I spent on Authorhouse, which was probably at least $1200. So, technically I'm still in the hole). My current publisher (Amazon/ CreateSpace) is the only reason I have any earnings potential, besides the content of my books.

The above includes both texts and e-books.

Notice, the exponential curve has dropped off.  I suspect this is because of poor marketing from my publisher.

But, at least the year has not been worse than last, if I assume some continued sales in Nov - Dec.

My author page may be found at: http://www.amazon.com/author/nathancoppedge 
notably I have not sold copies of The Structure of Philosophical Revolutions yet (It's been about a week or two).

Fragment on Time-Travel

"The understanding of the events I describe in the book might be clarified if it is understood that god-like powers are just very big exceptions-to-the-rule that come about because of perceptiveness and a little extra license from the universe. Here's a hint: it helps to do something that is in synch with history. Creating history is a cheat that can permit huge freedoms." ----Nathan Coppedge, via Quora.com

The Dimensional Time Travel Toolkit was published this year...

I have an imitator

who has just started a new website.

Some of his work is convincing, whereas other of it simply misses the facts.

For example, he dismisses 'unbalanced wheels' while adopting a design he thinks is unbalanced that is very similar to a design widely disproven by experiment.

In my own principles the Bhaskara vertical wheel type designs don't work because of a dual-directional problem with the rising and falling weights, what has conventionally simply been called 'symmetry'.

Anyway, have a look if you like, at "Simon's Wheel":

http://www.simonswheel.co.uk/

I now have 100 followers on Twitter

It is now possible that I'm in the top 2 - 5% of active twitter users.

Good!

Here is a link to my twitter profile: http://www.twitter.com/nathancoppedge

Perpetual Motion Value Program

...
Appropriate history
Set Up
Knowledge parameters
Psych parameters
Parameters for design (interactive)
Parameters for construction (internal mente)
Parameters for popularity
Parameters for inventor / communication / persona
Fortuity
Marketing
Accept / Reject
Major examples vs. Minor
Significant accomplishments
Legacy
Symbols
Perpetuity (Psych. momentum)
...