The Critical Soul of Hyper-Cubic Cinema

"That's how we really are"
This can be brought into doubt for several reasons:
(1) Is there really such a thing as a critical soul?
(2) What if the inner soul of the movie is not hyper-cubic, e.g. what if Hyper-Cubism is only a technique?
(3) What if hyper-cubic people are not people / return to alienated framework
(4) What if Hyper-Cubic cinema is only an extension of photography?