Pragmatications

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'where is the beginning of being' one might ask
in relation to persona;
for example in representative
identification what precisely would
replace the view that staring at an
office printer and determining simply
'I am a printer' or 'I
identify with this printer,
therefore I see it'?
Is it automatically a failure
of perception to not see printer
as 'I-am or of- of-printer'?

In other words, with greater clarity,
there are several alternatives:

1. Integrity of being is a thing-in-itself independent of confirmation in objects, vis. their reality or affirmation or symbolification of self-feeling or law-concept

2. When objects do not affirm self, self-concept disintegrates, independent of the origin of self-authority

3. Self-authority via authority finds affirmation, or objects affirm a principle of authority in a modal approach to experience

There is health though occassionally in ideas [what is now seen as 'sanity' was once termed 'logicum']

. character gives life
..some situations are more enchanted than others
...there is nothing deadly about an idea that doesn't kill

Theme concerning self-nature and manifestation

On the theme of Descartes and Hume (e.g. what one can and cannot know), the authority one seeks in knowledge or manifestation (considered in the abstract as a given end) is the same authority that grants that one seek it; thus how may one claim there is a basis in knowing or manifestation when the authority comes from what it seeks, rather than the process of seeking in-itself? Further, if the seeking prefigures understanding, its as though the authority came utterly from nothing.

Although this is evasive, seeking is predicated on an absence or a trend that lives in itself; its object, defined as the reality does away with the authority of seeking it apart from itself; if object becomes seeking-trend, one might on one hand say the seeking has swallowed object, while on the other that process has gained credence as authority, yet the thought or knowledge preceding a given point of realization is not founded on what it finds, necessarily, unless process is truth-as-object, which in itself may be dubious. However, the equation of truth-as-object may be justifiably as just as life inherent in manifestation, proving the point that without life it is difficult to justify a system, however valid (perhaps not every philosopher would go so far).

The quotidian angle is that thought is motivated by a desire to know what one does not; with knowledge one might assume there is no motive to think, however, the life of knowledge depends on the life of mind; valid systems may well promote mind without life or life without mind (considering things under one rubric or another) yet in principle they are interlinked on the subject of the motive and basis for understanding.

Unless being is equated with knowing, life or mind may exist in its own majesteria within which the life of a trend exists independent of the consciousness of the effective law or source of its engenderment.


temporary note for sake of blog record, blog failing somehow, blame someone

Dualistic Isms

Optimism-->Happiness: what is conceived as optimism is really an 'ismization' of the very personal and valuable desire or consistency of happiness or the nearest thing

Positivism-->Optimism: the simple notion of positivism as scientific rigor (albeit with principles of application) may be conceived in terms of the meaningfulness of the trend of finding results, or the systems or methods implemented and their relation to a concept of self; in this sense it would be conjoined with optimism as a trend that is not objective in the sense of assuming valuelessness is the null

Objectivity-->Positivism: what is often known as truth-finding may be translated into an existential mindframe adapted to experience in terms of symbols, modes, and archetypal concepts of self (positivism)

Philosophy-->Objectivity: philosophy as it relates to truth may translate into ideas-as-objects (discrete elements or identities) or objectivity

A Miscellaneous Argument Concerning "Eversleep"

YES (Y ES)

GOOD

YES

GOOD

NO

NO

If not patient in considering 'eversleep', it may suggest fatalism.

If not, realism

Thus if not a realist, romantic fatalism or romantic idealism, thus distinguishing realism from romance in general-->

'eversleep' indicates counterpart to transcient wakefulness a pseudonym for 'now', thus fitting the Motist technique of forming a holism from dual categorical opposites;

('in the Vennicular', that is in relation to Venn diagrams, imaginatively:)

Solipsistic fate --> realism --> romantic fatalism --> romantic idealism --> perpetuity of time

('solips --> realisme --> rome --> idealle --> chronn')

suggests romantic or personal zones / mandalas

stages such that

[ q. of self
q. of form
q. or role
q. of ultimate
q. of endurance ]

This provides a sort of 'schematic' of existential application, creating an order of operations in resolving various questions of motive and need within experience.

Although vague, one may consider for example that solving in an absolute sense the question of whether one may endure is not often entirely broached until one has lost all endurance. Similarly, life in general is predicated on having a self, yet the self may not be fully defined, creating weaknesses in the application of self-life.

Although form is a precedent for role in many contexts, form may have flaws, weaknesses, or its own prerogatives before motive truly comes into play. Although the ultimate is seen as having great importance, its really only approached in the context of all other considerations, including the one following: endurance.

Individual entities may be considered in terms of self, form, role, ultimate, and endurance, complicating the matter of how presumably distinct things interrelate. Another approach is to consider how each concept exists overall, without referring to any distinct thing. In the second approach a categorical method could be used to determine general categories implicative of a more complete logic of the relation of entities.

Although this is a precis, I would like to carry this logic further in my future parsing of categorical logic. There is something in this sort of thinking, whether a circle is made of two or four or seven segments that implies a better world, or a more wholesome inhensiveness in the relation and integration of thought and world.

https://hypercubics.blogspot.com/2026/02/order-of-process-2026.html

Eclectika / Ecclectika

"One asks if time is a river, and one returns as much as the river returns, and if there are answers, and there are always answers, and practical answers perhaps, and things being conceived always as a consolation, to which I must be consoled"--reflecting on Heraclitus, I sound like Li Pi or someone - - -

Latin quotes:

Ex relevantum, relevanta (from the relevant, relevance)
Est in principia ad infinitum (in principle, it is with eternity)
Pathos mente est et eternum (mind-heart together are eternal, with eternal feeling)

"Five-of-twenty-six" a name for the sword Zade, which makes grace of distinctions without any physical cutting; razorsmoke

Only a nothing can make nothing of himself, as himself

Obscurantist poetry, example 1

a brother my shadow
a sister my sibling flame
"wars" and "roses" in subtle arts
which betray their tools
and beckon towards a ghost

Themes like nechomachy (shadow-fighting) and feng shui (subtle aesthetic of landscape-energy) suggest a poetic view of intellectualism as a quasi-magical experience accomodative of a stylish, discerning reenvisionment of the landscape of being, dynamics, and experience. This sort of view is reflected to various degrees in some commercial ventures and products, such as the logos of printing presses, cafes with winding iron staircases, shops that sell stationary and art books, or elements of treasured experience: old fashioned college towns, gardens with sculptures and quotations, homes with herb gardens or sheltered grottoes, etc.

These aren't often accessible to everyone, or even everyone who seeks them or is in a given economic bracket. Nonetheless, they serve a role to reinforce the poetic and intellectual imagination, independent of ownership, the nature of one's work, or the future of the world. Repeatedly sanctuaries of a certain frame of mind are the sole holding chamber for a given mode of thought; those that cherish them find words to represent what they saw.

The Subtle Systemic Character

https://hypercubics.blogspot.com/2013/10/simple-secrets.html

https://hypercubics.blogspot.com/2016/02/i-took-spatial-reasoning-test.html

Considering a diffuse field, as may be formed in considering the distance between a given actual mode and its apparent manifestation (a view within which the object of truth is not strictly its reality, or if so, not the character of experience and or articulate communication, vis. nomenclature or noumena) there are three constellations of thought which come to mind, bearing on the character of thought considered systemically:

1. Life as a graph, a case in which the reality of matter comes out of certain effocacy, e.g. "material statistics", while existence is a matter of the certain effocacy of concern for such reality, vis. "existential parsing". Although this is a view that is both cold and animalistic (and in a pejorative sense), considered as a system, life becomes metaphorical for a greater life, hence the mind may be freed from the restriction of viewing object-as-life, rather than object-as-symbol. This bears on the possibly correct assumption that mind is concerned primarily with essence or spirit and not matter.

2. Finite finitude, defined intuitively as a limit to uncertainty; e.g. apart from the assumption that a given quality is redundant in comparison to its object, finitude in fact implies a limit even to the finitude it describes. This might be correlated with the idea of "death dying", although not proportionately or cleanly. In the sense that "life lives" is a definition, there is the notion of life and death as seperate things which coexist in a mortal. Mathematically (speaking in a very foggy manner, since I really have no higher math training), finite finitude is a way of describing laws of limitation as a context for (what I want to call "meta") dynamics.

3. Systemic attributes, symbolic codification of trends or systems. The idea that a symbolic object is a perspective on an abstract or ideal theme; e.g. like a thought experiment, it has an archetypal bearing on the role of system to identity.

COUNTERVALENCES, The Ways Order Folds Away From Life

Considering deeply, in a mood I do not often cross, on the subject of paradox and the order of the world, I accomodated in my mind five ideas of the contradiction between seeking life and seeking form; each is an element in an implied hierarchy of the play between individual essence or character, and the changeable and perhaps less flexible necessity of basic manifestation.

Conceit of Standing: (vis. Singularity)
that to take a form is not always to hold a form, to accomplish a given thing is not always to be the greatest in this accomplishment, to be manifest without character or intent may be less than to be nearly manifest in intent and character

Conceit of Formation: (essence and intent)
conundrum that formative clay (as an emblem of a fundamental nature) is without inherent purpose or dynamic--ash-like, dust-like

Conceit of Reflection:
conundrum of seeing what sees oneself with oneself or seeing without being all

Conceit of Locus:
conundrum that the spiritual center is not always one's own center, perhaps

These four may be interpreted as mandate or legitimacy, life form, absoluteness, and pith or deferrence.

Without legitimacy life form, absoluteness, and pith become hollow or deferrant.

Without life, legitimacy absoluteness and pith may hold value, but are not central.

Without absoluteness, legitimacy is a charade, life form nominal, and pith unexceptional. Yet a simple absoluteness (considered in any manner) could not be achieved by a simple character, or a complex one for that matter which has not taken form, without becoming something else altogether. Could a complex person aspire to be a very evokative fixture in space? Dynamic change is obviously not a matter of simply turning on a lightbulb.

Without pith it is as though legitimacy, life form, and absoluteness are shrunken and floating in space, purpose always subsumed ridiculously in things with greater power.

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Motist Artwork

Skeerie, ink on paper 2008

Chairns, ink on paper 2008

Carcatta, ink on paper 2007

Muir, ink on paper 2007

Impertures, ink on paper 2007


Works primarily in ink may be viewed at Machina Aesthetika

Motist commercialism

I've considered marketing posters on symbolism, a Metaph cartoon in the form of a graphic novel, The Motist manifesto itself (being revised gradually), artwork of an adequate scale, or art objects / jewelry / games / sculptures based on symbols or systematics.

Clearly enough the popularity of this blog does not point in that direction, however commercial marketing of laminated posters may be an easy way to supplement my income.

The artwork is developing. I have nine ideas for graphic novels based on the aesthetic of dimensional expressivism. I've had a number of ink drawings transfered to large-scale canvas 18 X 24", resulting in something more adequate to a legitimate showing.

A General Procedure of Thoughtful Modes

I've noticed a certain methodology in my creative process, working roughly in a system of checks, returning or reiterating unless conditions are met:

1. Compelling: feng shui, attraction, prescient sense, seeking the inexorable, health

2. Fixation: ideal of "vicarious rapture" for justice/ beauty/ articulation/ joinery

3. Object of Importance: an element expressive of a dynamic, or holding a logic

4. Excursion: borrowing impetus, carried by an idea, nurturing patience and concern

5. Expression: action compelled from concern; discovery of a form for fixation; i.e. a second layer of compelling

6. Worlding: enduring modes and concerns compelled from fixations, as discovered in the expressive mode; a second layer of fixation

7. "Fascination": technical term for comparing "worlds", modes, symbols, or impressions, metaphorically or analogically. A second layer of object

8. Departure: erratic or fearful search for new foundations or passions, roughly as rational as all foundations already relied upon. A second layer of excursion

(compelling, fixation, object of importance, excursion, expression, worlding, fascination, departure)

Interpreting under a categorical loop:

1. life of method,
2. method of madness,
3. madness of form,
4. form of an idea,
5. an idea compelled,
6. compelling fixed,
7. fixate forms,
8. formal excursions

Or, roughly (a practical summary):

1. Enthusiasm
2. Consideration
3. Formalism
4. Living with it
5. Recognizing and identifying
6. Mode-as-symbol
7. Scrying life
8. Adventure / Diversion

For the sake of the perpetuity of system

I'm posting a chart demonstrating a deductive method of Unity, explicated in my book, The Motist. I would reserve this strictly for my published material, but I find at this point that publication is uncertain and holds few certain merits.

The diagram shows an evaluation in qualific terms of a "meat factory", considered categorically in terms of one specific form of deduction, to point a categorical hierarchy of qualification.

The diagram follows. Enlarge by clicking directly on the image

This is a snapshot of a linear-degenerative or strictly linear form of the IEOC method, in which "Spending" is the fundamental nature of the chart, "Loss" is the process or effectiveness, "Process or Fear/Pain" is the objectivity, and "Horror or Butchering" is changeable (reflecting Identity, Effectiveness, Object, and Change).

IEOC Method

The Identity-Effective-Objective-Changeable division of unity may roughly be titled the "IEOC" Method.

It may roughly be divided into several levels of comparison, running from an iterative-degenerative linearity, to strictly linear and macro-cyclical.

Hierarchies in triplet sets such as "precept --> method --> ennumeration" and "holism --> relation --> solution" provide a basis for determining the precise nature of comparisons leading to concise and totalistic evaluations of dichoto-nominal circumstances, or bases for categorical situations.

A pan-systemic evaluation of methods is due when I finish my recent book project: Motism: the Ninesquare Notebook.

I've stopped building my latest perpetual design

out of a kind of mortal terror that it will work.

The chasm between a 'divinely inspired' schema (or one I would megalomaniacally perceive as such) and one with design flaws is intimidating.

The idea that there are abysses of history without an example is itself a terror.

More rationally, I might pretend that my handicrafts are at fault, that a working design is no economic solution to my life, that physicists would actually want to shoot me, that I'm not the person for the job, or I was soon to discover something completely wrong with my thinking (similar to balancing my expenses last week).

To ask the best has so far not been to know the path.

Latest Drawings

"Silky Form", ink on paper, 2007



"Hectic Flirri", ink on paper, 2007

No news from the reporter

about possible marketing. Perhaps this will be a long-term commitment.

I have sent

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revised introduction to a reporter who has offered to assist me in marketing my work. Otherwise there have been few obvious strides in Motism lately.

I continue to operate a Motist art gallery at Machina Artistika: Part of the Impossible Machine

The photographs in Cycle 2 (most often updated) are now ordered according to the most recent appearing.

I have a few potent projects which depend on signs of success to grow.

I've considered forming a website called The Terrapinian as a platform for authorship, with Motism in mind. However, its so contingent now its a little irrational to think its of the greatest importance. But how to plan ahead in these endeavors?

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RAGS

When I consider the Terrapin who would sell books, I feel like so much more of a person. Life in cafes and little bookshops could begin to mean something. I'd be a smeller and breather of ink. I'm even working at a library. I'm so contented with bits of my introduction, part of me is apprehensive that I'm just setting myself up for unexpected failure. The same feeling has existed to various degrees for several years. The things that are gold to me! To think it isn't folly!

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