Another Working Perpetual Motion Concept!

Rather ingenious. The swivel device finally perfected.

A counterweight acts on a slightly upward-and-downward left-right swiveling lever (mostly left and right 30+ degrees, or whatever preferred range).

Usual deal with support vs non-support. The returning motion is the rising motion, so the falling and rising motion is used to deflect the marble inward and outward onto two different track segments, as shown in a similar device the Not-If-But-When 4, a pretty much proven principle through two lengths of the cycle.

I know this device has two-directional motion by a proven principle from the Not-If-But-When 4.

Likely ratios are 1.5X effective ideal mass for the counterweight, right in the middle of the > 1X mass and < 2X mass necessary with 1 X marble abd 2 X long-end leverage (long-end leverage expressed as a ratio of short-end leverage measured to the midpoint of the counterweight).

Assuming deflection is designed properly, this is one of the easiest perpetual motion machines ever to build that I know of.

Consult diagram above if additional information needed.

--Nathan Coppedge 2018/05/04, 1am.

THE PRINCIPLE OF UNIVERSAL CAUSATION

--VIA QUORA---

In Feb 2016 I summarized what I called The Principle of Universal Causation: "It is the universal nature to create nature (design interface); after creation, nature has variation (dimensional nature)."

In other words, what is not dimensionally collapsed and efficient or causal / essential is simply originality.

Therefore, essential cause first exists as creativity, then it exists as cause, then it exists as sheer potential.

Although I have had doubts at times, the rule of three seems to follow from the reductive insight that the universe is either original or unoriginal, and if it is original it has an original element, but what we know is a product of that element. 

Everything else is either sheer potential, such as energy and mass, or a structural component like time and space. If originality is seen to be perfection and little else (since there is no better basis for originality than perfection), all other results seem to develop through complexity, which means that dimensionality is the only result of causality.

Thus, the chain of originality ---> causality ---> dimensionality seems to hold, when we superimpose the corresponding elements of (perfection), (essence: cause and effect), (complexity: energy and mass and time and space).

Source:

https://www.quora.com/What-is-the-Principle-of-Universal-Causation/answer/Nathan-Coppedge

---Nathan Coppedge

philosopher, artist, inventor, poet

Red Letter Day

On July 3rd, 2014 I discovered the Master Angle, a particular configuration of horizontally-disposed slope and a particularly angled backboard which (I believe) permits an object to roll UPWARD.

This is possible because H - V > V (H).

This is possible, I have proved (or believe I have proved) in very particular configurations (I believe the equation is not enough by itself, but rather there must be a particular ratio of weight placement between the horizontal and the vertical, including consideration of the height of the marble relative to the horizontal slope, affecting the angularity of the backboard).

I have tested with a level, and the bubble is close to the middle, but sometimes indicates upward slope. The optimal case is shown in my video, Master Angle / Reverse Gravity 1.