My Commercial Art Website

received its first review.

4 STARS!

Excellent.

See Reviews HERE.



My Art Book is available HERE for somewhat less than what the gentleman paid (the art book also received 4 STARS, although the reviewer was my Dad).

One of my artworks

is now listed on Credo Reference, as per my earlier submission to Wikimedia Commons:

http://search.credoreference.com/content/topic/cubism

"Composition on Two Occasions" by Nathan Coppedge (Some added information: Hyper-Cubism, a movement started in Germany, New Haven and Australia in the 21st Century. Nathan Coppedge gave away hundreds of black and white artworks for free in hopes of attracting artistic fame)...

The Critical Soul of Hyper-Cubic Cinema

"That's how we really are"
This can be brought into doubt for several reasons:
(1) Is there really such a thing as a critical soul?
(2) What if the inner soul of the movie is not hyper-cubic, e.g. what if Hyper-Cubism is only a technique?
(3) What if hyper-cubic people are not people / return to alienated framework
(4) What if Hyper-Cubic cinema is only an extension of photography?

Works in Hyper-Cubism

Six recent works using a digital technique to overlap my hand-drawn Hyper-Cubist works, as well as two original hangable drawings/paintings are available at my art page,

http://www.etsy.com/shop/HyperCubism

Below: A close-up.

4-d in 2-d Without Formal Structure

Compare the earlier example of an animated hypercube with the example of dynamics evoked in a 2-d surface: here patterns amongst lines may give a hint about how to extend a hypercube into a dynamic four-dimensional realm (that is, a world of objects); To a conventionalist viewpoint, some of the effect may seem like magic; Or am I hallucinating?

If you have trouble, try imagining a cube suspended within that space; Ostensibly dramatic 4-dimensional effects could be created in 2 dimensions within some specialized cases; See for example, my art which depicts a dynamic drawer: Dynamic Art Example. It really seems to click and slide.

Another example, outside of graphics is the phrase "there is no wall in my eyes that keeps me from swallowing the voices of birds": it evokes birdsong in the mind.

Free Hyper-Cubism, Maybe the Next Picasso

For those that don't know, I've been giving away free artwork at a cafe in New Haven.

Jojo's cafe has been the only cafe to allow me to do so. I try to give thanks to the owner as often as I can.

I've already given away over 100 artworks in the last year or so. The project will continue.

Many young women, including several Yale students have framed my artwork themselves.

In some ways its been the most inspiring activity of my life.

According to U.S. law by the way, artwork is an exception to the rule, it IS IN FACT LEGAL TO RE-SELL THE WORK.

FYI: It's value may grow.

Current major collectors include Gail Hardin (a former neighbor), and my father. There are others, but I'm terrible with names. Someone should make a list of the names and numbers of the artwork and who owns them. There are (at least) dozens. And I still have a big folder full. I produced three or four good ones today.

Hyper-Cubic Drawings

Something I have not posted here is the prevalence of ink drawing to my concept of Motist art. In fact this is where it began. As an example, here are three recent Motist ink drawings, titled "Puzzle Bloom", "Snickety" and "Tangle":



Puzzle Bloom, 5 X 7" unframed, ink on acid-free paper.



Snickety, 5 X 7" unframed, ink on acid-free paper.



Tangle, 5 X 7" unframed, ink on acid-free paper.

[Snickety--middle--is recently for sale at Jojo's Cafe in New Haven for $40 framed]