Showing posts with label Paralogy. Show all posts
Showing posts with label Paralogy. Show all posts

Saturday, January 11, 2014

Introverted Developments / Private Projects

Immortal Poems is one of my slowest projects. I have about two or three (different from the Poems by God, because of subject matter). The emphasis for these pieces is realism and fulfilling the pieces-in-puzzle mentality in the quest or psychic prophecy of immortality, making them more difficult to write. The simple explanation is that they are more rare, and therefore more difficult to locate in my mind.

My Theses project, which inspired the 1-Page-Classics, is slowing down, although I have created three new folders showing further degrees of Theses, following different forms of standardization. These new folders do not have 1,600, but instead, 5 to 50 so far. Mostly titles, as before. Theses 2 has creative essay-type material, for example: "A Platform and Popularity: How to Market Recursive Typology" and "Place of Flowers: Bulbs of Power and Stamens of Knowledge." Theses 3 has pieces that fit the new classics standard, which is hard to describe. One example is "Salt of Peter" and another is "Terrestrians." Theses 4 has only elements which forgive a secret of the universe. Presently only "The Dance in the Ether," a piece which gives a kind of etherized feeling.

I have a project called The Footnotes which consists of diagrams (mostly flow-charts) which interpolate intellectual developments throughout history, and sometimes into the future.

I have another project called Old Ones that I may or may not publish, about cute sayings that I attribute to my unborn children.

The Dimensional Encyclopedia is in the process of developing. It is likely that I will eventually publish at a faster rate than one per year. The second volume is complete but won't be published until I receive my Kirkus review. I have intentionally put some challenging subjects along the path (phenomenology, mathematics) to keep the productivity even.

Tuesday, March 26, 2013

Hints on Paradigms and Scaffolds

It has been an eerie year for me in terms of intellectual progression. I have literally invented several disciplines to navigate what seemed to be very difficult territory. In some ways I'm still lost in the specificity of my project, even though the subject in its most meaningful form is highly general, and yet  capable of insight. What began as a Unity Project dealing with subjectivity, God, objectivity, and the soul has morphosed into, first, a book of knowledge which has not been published, secondly my Theses folder which is mostly devoted to literature for which I cannot claim credit, although much of it I have not discovered in print, and thirdly my Dimensional Encyclopedia, the volumes of which will sometimes include disciplines which do not yet exist in the same sense with which I intend them.

One of my encyclopedias is devoted to Paralogy, the philosophy of fractions, in a sense that builds on earlier volumes concerning such subjects as Philosophy, Psychology, Biology, Phenomenology, Aesthetics, and Criticism.

I have continued my sometimes disappointing encounters with the published literature, where entire books frequently lack a strong thesis statement or fail to propound the wealth of insights that a strong thesis might suggest.

As the year wears on (comfortably and uncomfortably), I muse on the strength of my own theses, theses which I have so far been approaching in the individual contexts of each encyclopedia. Yet the titles of future volumes meaningfully weigh into some of the content considerations. Paralogy has a meaningful presence in the beginning of my Phenomenology Toolkit (Dimensional Encyclopedia, Volume Four).

It has been meaningful to address subjects which others have not cared to consider, and to ponder on combinations of subjects which yield meaningful variables.

For example, in Psychology, it seems to me that the work of Freud on dreams, Otto Rank on Beyond Psychology, and Carl Rogers on individualized therapy offer inadequate concepts of meaning, even though meaning is a relatively fertile concept for study.

Taking philosophy as an example of the completeness of knowledge, psychology gains an aura of incompleteness, but in providing this kind of sketch, meaningful holistics concur in the prediction of the ends and middles of theory; where pragmatics is not obvious, theory becomes more obvious; where the therapist and the patient are isolated in 'one booth', the psychology of both becomes more evident, and a few telling details become more extraordinary. While I have avoided some of the generality present in my first volume---which was notable for such---I have also re-introduced the categorical method as a foundation for the admittedly sketchy methodology of past therapists. Where therapists tend to be more socially adept and knowledgeable on the subject of individual therapy, I have also made a point of not overlooking all of their faults. This process has provided a significant groundwork for knowledge of therapy, and perhaps psychology in general, if it is adequate to reach for a social theory.

The way I have earlier reached for a Paroxysmic shift (in the Dimensional Philosopher's Toolkit), conversely I am currently struggling with the limitation of such categories as History and Politics, topics which I intend to eventually creatively address within later volumes of the encyclopedia. It requires a certain amount of psychic motivation to see that these subjects are still relevant to individual study. Why not go mad, as in the first volume, or become sane, as in the second volume, or acquire moodlessness, as in the third volume? Or transcend perspective, as in the fourth volume? Something of these subjects and their implied varaibles will remain to investigate in the later subjects, I promise.

What about the scaffolds I connoted? I have provided hints. Dimensional Psychology is my current subject, the topic of my present work to be published next year. In the future, I will have an opportunity to apply psychology to such subjects as biology, phenomenology, aesthetics, criticism, and paralogy. The concept is an endless ladder.