out of a kind of mortal terror that it will work.
The chasm between a 'divinely inspired' schema (or one I would megalomaniacally perceive as such) and one with design flaws is intimidating.
The idea that there are abysses of history without an example is itself a terror.
More rationally, I might pretend that my handicrafts are at fault, that a working design is no economic solution to my life, that physicists would actually want to shoot me, that I'm not the person for the job, or I was soon to discover something completely wrong with my thinking (similar to balancing my expenses last week).
To ask the best has so far not been to know the path.
Intention and Architecture, by Carolyn Fahey
6 years ago
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