If not patient in considering 'eversleep', it may suggest fatalism.
If not, realism
Thus if not a realist, romantic fatalism or romantic idealism, thus distinguishing realism from romance in general-->
'eversleep' indicates counterpart to transcient wakefulness a pseudonym for 'now', thus fitting the Motist technique of forming a holism from dual categorical opposites;
('in the Vennicular', that is in relation to Venn diagrams, imaginatively:)
Solipsistic fate --> realism --> romantic fatalism --> romantic idealism --> perpetuity of time
('solips --> realisme --> rome --> idealle --> chronn')
suggests romantic or personal zones / mandalas
stages such that
[ q. of self
q. of form
q. or role
q. of ultimate
q. of endurance ]
This provides a sort of 'schematic' of existential application, creating an order of operations in resolving various questions of motive and need within experience.
Although vague, one may consider for example that solving in an absolute sense the question of whether one may endure is not often entirely broached until one has lost all endurance. Similarly, life in general is predicated on having a self, yet the self may not be fully defined, creating weaknesses in the application of self-life.
Although form is a precedent for role in many contexts, form may have flaws, weaknesses, or its own prerogatives before motive truly comes into play. Although the ultimate is seen as having great importance, its really only approached in the context of all other considerations, including the one following: endurance.
Individual entities may be considered in terms of self, form, role, ultimate, and endurance, complicating the matter of how presumably distinct things interrelate. Another approach is to consider how each concept exists overall, without referring to any distinct thing. In the second approach a categorical method could be used to determine general categories implicative of a more complete logic of the relation of entities.
Although this is a precis, I would like to carry this logic further in my future parsing of categorical logic. There is something in this sort of thinking, whether a circle is made of two or four or seven segments that implies a better world, or a more wholesome inhensiveness in the relation and integration of thought and world.
Saturday, March 15, 2008
Eclectika / Ecclectika
"One asks if time is a river, and one returns as much as the river returns, and if there are answers, and there are always answers, and practical answers perhaps, and things being conceived always as a consolation, to which I must be consoled"--reflecting on Heraclitus, I sound like Li Pi or someone - - -
Latin quotes:
Ex relevantum, relevanta (from the relevant, relevance)
Est in principia ad infinitum (in principle, it is with eternity)
Pathos mente est et eternum (mind-heart together are eternal, with eternal feeling)
"Five-of-twenty-six" a name for the sword Zade, which makes grace of distinctions without any physical cutting; razorsmoke
Only a nothing can make nothing of himself, as himself
Obscurantist poetry, example 1
a brother my shadow
a sister my sibling flame
"wars" and "roses" in subtle arts
which betray their tools
and beckon towards a ghost
Themes like nechomachy (shadow-fighting) and feng shui (subtle aesthetic of landscape-energy) suggest a poetic view of intellectualism as a quasi-magical experience accomodative of a stylish, discerning reenvisionment of the landscape of being, dynamics, and experience. This sort of view is reflected to various degrees in some commercial ventures and products, such as the logos of printing presses, cafes with winding iron staircases, shops that sell stationary and art books, or elements of treasured experience: old fashioned college towns, gardens with sculptures and quotations, homes with herb gardens or sheltered grottoes, etc.
These aren't often accessible to everyone, or even everyone who seeks them or is in a given economic bracket. Nonetheless, they serve a role to reinforce the poetic and intellectual imagination, independent of ownership, the nature of one's work, or the future of the world. Repeatedly sanctuaries of a certain frame of mind are the sole holding chamber for a given mode of thought; those that cherish them find words to represent what they saw.
Latin quotes:
Ex relevantum, relevanta (from the relevant, relevance)
Est in principia ad infinitum (in principle, it is with eternity)
Pathos mente est et eternum (mind-heart together are eternal, with eternal feeling)
"Five-of-twenty-six" a name for the sword Zade, which makes grace of distinctions without any physical cutting; razorsmoke
Only a nothing can make nothing of himself, as himself
Obscurantist poetry, example 1
a brother my shadow
a sister my sibling flame
"wars" and "roses" in subtle arts
which betray their tools
and beckon towards a ghost
Themes like nechomachy (shadow-fighting) and feng shui (subtle aesthetic of landscape-energy) suggest a poetic view of intellectualism as a quasi-magical experience accomodative of a stylish, discerning reenvisionment of the landscape of being, dynamics, and experience. This sort of view is reflected to various degrees in some commercial ventures and products, such as the logos of printing presses, cafes with winding iron staircases, shops that sell stationary and art books, or elements of treasured experience: old fashioned college towns, gardens with sculptures and quotations, homes with herb gardens or sheltered grottoes, etc.
These aren't often accessible to everyone, or even everyone who seeks them or is in a given economic bracket. Nonetheless, they serve a role to reinforce the poetic and intellectual imagination, independent of ownership, the nature of one's work, or the future of the world. Repeatedly sanctuaries of a certain frame of mind are the sole holding chamber for a given mode of thought; those that cherish them find words to represent what they saw.